In memory of the heroes

National Day of Remembrance of Poles who rescued Jews under German occupation.

An elderly woman wearing glasses and a brown leopard-print dress speaks into a microphone during a meeting at the museum. She stands against a raw concrete block wall featuring memorial plaques with photos and biographies of victims (including Józef Kulpa). A group of listeners sits in the foreground.
On 24 March 2025, commemorative events marking the National Day of Remembrance of Poles who rescued Jews under German occupation were held at the Museum and Memorial Site in Bełżec. The event was co-organized by the W. Broniewski Municipal Public Library in Lubaczów and the Society of Enthusiasts of Lviv and the South-Eastern Borderlands, Lubaczów branch.

The commemoration began with a guided tour of the grounds of the former German Nazi extermination camp, which allowed participants to become familiar with the tragic history of the site, as well as with the heroism of those who did not hesitate to help persecuted Jews during World War II.

Next, excerpts from the film “The Righteous of the Lubaczów Region” were presented, showing local heroes. A guest of the event was Mrs. Stefania Krupa, whose parents hid Salomon, a Jewish friend of their son Władysław, during the war. She spoke about the difficult decisions faced by her family. A speech was also delivered by Maria Magoń, president of the Society of Enthusiasts of Lviv and the South-Eastern Borderlands in Lubaczów, who shared her experiences from the ceremony of awarding the medal and diploma of “Righteous Among the Nations.” She also spoke about the great importance of Polish-Jewish dialogue, emphasizing how important it is to maintain contact with the families of those rescued, as it not only preserves the memory of those who risked their lives but also builds bridges of understanding and mutual respect between nations.

A group of teenagers sitting in a museum hall during a lecture. In the foreground, a boy in a navy blue jacket looks toward the speaker. Exhibition panels with portraits and biographies are mounted on the raw concrete wall to the right.